Miss Tess and
The Sweet & Low Downat
The Beehive30 June 2009
Rachael Price is sexy. Her voice is smooth and supple, she's a scatting virtuoso and her decollétage is nothing if not alluring. She shimmies and undulates at the mic and, in a move that put me over the edge, the woman slipped on a pair of horn-rimmed glasses at the end of the last set. I was entirely prepared to ditch my boyfriend and kidnap Ms. Price so that she might personally serenade me until the end of days.
Price and Miss Tess fronted The Sweet & Low Down at The Beehive last night. The quintet (of keyboard, stand-up bass, drums and Miss Tess on rhythm guitar) played four hours of old-timey standards as well as some modern tunes. I heard Tom Waits ("Jesus Gonna Be Here," playfully introduced with the declaration we had reached thepoint in the evening for Jesus), Elvis Presley ("You're A Heartbreaker"), Morphine ("You Look Like Rain"), Blue Moon, the Tennessee Waltz, and many other numbers that I couldn't identify but loved nonetheless. The group's dress and sound was vintage and they transported the listener to another time. All around me, audience members tapped their toes and fingers to the beat, shook their heads to the lovely sounds and clapped enthusiastically after each solo improvisation.
Had I watched Miss Tess perform as the sole vocalist, I'm sure I would have been highly impressed. Her voice is compact like her frame; slightly reedy and a bit smoky, she smacks of Karen Dalton and Jolie Holland. Miss Tess happily strummed the (vinyl stringed?!) guitar that dwarfed her and clearly enjoyed performing last night. But she was out shined by the magnificent Rachael Price, whose effortless skill and smoldering glances demanded all attention. The timbre of her alto is of such quality that no one else stood a chance.
The Beehive's stage was richly swathed in silks, lace and velvet. The dark wood and dim lights lent a cozy feeling to the venue and the patrons were comfortable enough to interact with the performers -- as well as dance lively jitterbugs and intimate tangos in the corners. The inconspicuous waitstaff promptly appeared when glasses were empty and then kindly disappeared again. My friends and I stayed until the end of the show, much longer than we had anticipated. We walked back to the T, singing our own versions of the songs performed and declared The Sweet & Low Down "pretty fucking awesome, if you like good music."